Robert Baca is Professor of Trumpet and Director of Jazz Studies at the all undergraduate University of Wisconsin-Eau Claire. His performance background includes countless performances in both classical and commercial areas including the Milwaukee Symphony, Minnesota Orchestra and the Phillip Brunelle “Plymouth Music Series Orchestra" as well as a past member of the popular radio ensemble for Garrison Keillor’s “A Prairie Home Companion.” He has toured with Frank Sinatra, Buddy Rich, Tony Bennett, Mel Torme, Blood Sweat and Tears and numerous others as well as performing over countless Broadway shows and hundreds of recording sessions in Minneapolis, Indianapolis, and Chicago. He has been employed at the Orpheum and State Theatre in the theatre district of Minneapolis for all concerts and Broadway Shows for the last 29 years. As a soloist, Robert has performed in China, London, Costa Rica and Europe as well as the United States.
Mr. Baca also directs the UW-Eau Claire Jazz Studies program which was recently cited in the New York Times as "one of the most well-regarded jazz studies programs in the country." Under Mr. Baca's direction, the UW-Eau Claire Jazz Ensemble I has recorded 21 CD's, received the Down Beat award for Jazz Ensemble eight times and been nominated for a Grammy twice. Recently, Robert conducted the National High School Honors Jazz Ensemble for the National Association for Music Education (NAfME) at their national convention in Nashville, Tennessee. Other educational highlights include serving as a faculty member of Conn-Selmer Institute, conducting numerous all-state ensembles and presenting at educational conventions. Recently he received the first, “Career Excellence in Teaching Award” presented by the University of Wisconsin-Eau Claire and was runner-up for the "Teacher Of The Year", UW-System Award. Mr. Baca is a past executive board member of the International Association for Jazz Education (IAJE) as the United States Representative as well as an advisory board member for the Edwin Franko Goldman Band.
Mr. Baca loves to help students of any age reach their whole potential through an apprentice approach. Each week students practice with Mr. Baca from 7:30-9:00 each morning and afternoon when available, receive weekly lessons, trumpet studio class, trumpet choir and brass quintet coaching as well as attending concerts in the Twin Cities. He has been happily married to his wife Jodie for over 30 years and has two children, Alec and Nicole and a dog named Chewy.
Matt Mealey has toured all across the country as a freelance trumpet artist. Performing credits include: lead trumpet for Wayne Newton, the New York Voices, the Irish Tenors, the Temptations, The Four Tops, Frankie Valli, Johnny Mathis, Jimmy Dorsey, Mannheim Steamroller, Gap Mangione, Five by Design, and the National Broadway Tours of 42nd Street and Monty Python's Spamalot. He has also appeared as a guest soloist with the Chippewa Valley Concert Band, the UW - Stout Concert Band, UW-EC Jazz Ensemble I, as well as several high school jazz and concert bands throughout the Country. Mr. Mealey holds degrees from the University of Wisconsin - Eau Claire and the Eastman School of Music in trumpet performance and music education. Currently, he teaches and performs in Western Wisconsin and the Twin Cities.
Kyle Newmaster, a composer originally from Minneapolis, Minnesota, has been providing music for film, television, games and the concert stage for over 15 years. Newmaster attended the University of Wisconsin-Eau Claire and earned a Master's Degree in Composing for Contemporary Media from the prestigious Eastman School of Music in Rochester, New York.
Newmaster recently composed music for Director Alejandro Brugues' segment, in the upcoming Horror anthology feature "Nightmare Cinema" (2018) starring Mickey Rourke. He also recently completed score producing and lead orchestrating the music for Disasterpeace in David Robert Mitchell's upcoming noir thriller "Under the Silver Lake," (2018) starring Andrew Garfield. Newmaster's additional film credits include the score to the well-received family drama "Where Hope Grows," (2015) directed by Chris Dowling; "Something Wicked, (2015)" Produced by Joe Colleran: "The ABC's of Death 2, Segment E," (2014) directed by Alejandro Brugues; and "The Myth of the American Sleepover," (2011) written and directed by David Robert Mitchell, an official selection at the 2011 Cannes Festival du Film. Roger Ebert of the Chicago Sun-Times called the teen coming-of-age drama, "Poetic... A lovely, gentle and very true film."
Kyle has also written a variety of additional music for Television and has licensed his music to hundreds of shows including Dancing With the Stars, Jimmy Kimmel Live, Mysteries at the Museum, CBS Sports Spectacular, Little People Big World, Breakthrough, NBC Sports Special, NASA's Unexplained files, Vice Guide to Film and many more.
Born and raised in Minnesota, Newmaster's deep-rooted interest and talent in music comes from his family. His great-grandfather was a published composer for military bands, and his father studied classical music and played a key role in Kyle's musical training at a very young age.
Newmaster recently signed on to score the edgy open world neo-noir adventure game "Living Dark" (2018) by New Zealand game company Rocketwerkz. Through his previous work, Kyle also helped bring the pop culture phenomenon back to avid gamers by co-scoring the LucasArts'/Microsoft title "Kinect Star Wars"(2012). This epic game score was recorded at the famed Abbey Road Studios in London with the London Symphony Orchestra. Newmaster has also provided additional music for titles including "Star Wars: Battlefront 2" (2017), "Star Wars: Battlefront" (2015), "Star Wars: The Old Republic" (2011), "Spy Hunter" (2012), "Indiana Jones and the Staff of Kings" (2010) and "The Walking Dead: Survival instinct" (2013).
John Raymond is making a name for himself as one of the most promising, genre-bending musicians in jazz today. With a singular voice as a trumpeter, flugelhornist, and composer, Raymond is “steering jazz in the right direction” (Downbeat Magazine) by pushing it's boundaries, seamlessly incorporating indie-rock, folk and electronic influences into his music. As Something Else reviews stated, “This is jazz, yes, but jazz with an open mind’.